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HEINRICH SCHUTZ (1585-1672)
THE CHRISTMAS STORY [35'03]
　Die Weihnachtshistorien
　Introduction
　EVANGELIST
　Intermedium I
　EVANGELIST
　Intermedium II
　EVANGELIST
　Intermedium III
　EVANGELIST
　Intermedium IV
　EVANGELIST
　Intermedium V
　EVANGELIST
　Intermedi0 VI
　EVANGELIST
　Intermedium VII
　EVANGELIST
　Intermedium VIII
　EVANGELIST
　Conclusion

GIOVANNI GABRIELI (c1555-1612)
FOUR CHRISTMAS MOTETS
　Quem vidistis pastores [8'27]
　Audite prinicipes [5'39]
　O magnum mysterium [3'03]
　Salvator noster [4'19]

THOMAS TALLIS (c1505-1585)
Spem in alium
The 40-part Motet and other music

　1. O salutaris hostia for five voices [3'32]
　2. In ieiunio et fletu for five voices [5'01]
　3. Salvator mundi (I) for five voices [3'26]
　4. In manus tuas Domine for five voices [2'19]
　5. Salvator mundi (II) for five voices [3'16]
　6. The Lamentations of Jeremiah (I) for five voices [7'42]
　7. O sacrum convivium for five voices [4'19]
　8. O nata lux de lumine for five voices [1'52]
　9. Te lucis ante terminum for five voices [2'16]
　10.The Lamentations of Jeremiah (II) for five voices [13'08]
　11. Spem in alium for eight five-part choirs (The '40-part Motet') * [11'16]

Five Bridal Folk Songs from the Voronezh District (traditional) [9'29]
1. Now， little grey duck [1'48]
2. Good day， my fair one [1'26]
3. Oh， mother， my little head hurts [1'25]
4. Oh， come to me (Lament) [3'58]
5. Indoors， outside [0'53]
The Voronezh Chamber Choir (Institute of the Arts)

STRAVINSKY

Svadebka / LES NOCES / The Wedding [23'21]
6. The Tresses [5'02]
7. The Bridegroom's House [5'27]
8. The Departure of the Bride [3'00]
9. The Wedding Feast [9'58]
Jane Ginsborg soprano， Elena Medvedovskaya alto， John Potter tenor， Alexander Nazarov bass
New London Chamber Choir and the Voronezh Chamber Choir
Andrew Ball， Julian Jacobson， Clive Williamson， Paul Webster pianos
David Corkhill， Martin Allen， Richard Benjafield， Julian Poole， Christopher Wells，
Graham Cole percussion
conducted by James Wood

Podblyudnye / FOUR RUSSIAN PEASANT SONGS 1914/17
[2'48]
10. In our Saviour's Parish in Chigisakh beyond the Yanza [0'35]
11. Ovsen [0'32]
12. The Pike [0'42]
13. Master Portly [0'55]
Women's voices of the New London Chamber Choir and the The Voronesh
Chamber Choir
conducted by James Wood

Podblyudnye / FOUR RUSSIAN PEASANT SONGS 1954 [4'04]
14. In our Saviour's Parish in Chigisakh beyond the Yanza [1'13]
15. Ovsen [0'44]
16. The Pike [0'51]
17. Master Portly [1'01]
Women's voices of the New London Chamber Choir and the Voronezh Chamber
Choir
Brendan Thomas， Joanna Hensel， Robert Stroh， Lynn Jarman horns
conducted by James Wood

18. Otshe Nash / Our Father / Pater Noster 1926 Slavonic version [1'54]
19. Bogoroditse Devo / Blessed Virgin / Ave Maria 1934 Slavonic version [1'00]
20. Simvol Very / Symbol of Faith / Credo 1964 Slavonic version [2'07]
The Voronezh Chamber Choir conducted by Oleg Shepel

TRES SACRAE CANTIONES (Carlo Gesualdo， completed by Stravinsky) [9'33]
21. Da pacem Domine 1959 [2'56]
22. Assumpta est Maria 1959 [1'55]
23. Illumina nos 1957 [3'33] New London Chamber Choir conducted by James Wood

24. The dove descending breaks the air 1962 [2'35]
New London Chamber Choir conducted by James Wood

25. Introitus: T S Eliot in memoriam 1965 [5'18]
Men's voices of the New London Chamber Choir
Andrew Ball piano， Yuko Inoui viola， Duncan McTier double bass， Rachel Masters harp
David Corkhill and Julian Poole timpani， Martin Allen and Richard Benjafield tamtams
conducted by James Wood

HENRY PURCELL (1659-1695)
Complete Odes & Welcome Songs， Volume 3
Fly， bold rebellion

Fly， bold rebellion
Welcome Song for Charles II (1683)， Z324 [19'15]
　Symphony [1'58]
　quintet - ritornello - bass (MG) - chorus [2'27]
　high tenor (RC-C) - ritornello - chorus [3'14]
　bass (MG) - tenor (RM) - ritornello [3'16]
　trio (GF， TB， RM) - ritornello [1'21]
　alto， tenor & bass (JB， RM， MG) - chorus [1'40]
　alto (JB) - ritornello [3'33]
　septet - chorus [1'44]

Sound the trumpet， beat the drum
Welcome Song for James II (1687)， Z335 [23'38]
　Symphony [3'11]
　high tenor & bass (RC-C， MG) - chorus [1'57]
　high tenor (RC-C) - chorus [3'30]
　alto & high tenor (JB， RC-C) - ritornello [2'56]
　tenor & bass (RM， MG) - chorus [2'48]
　Chaconne [3'34]
　bass (MG) [2'22]
　alto， tenor & bass (JB， RM， MG): sextet: chorus

Celebrate this festival
Ode for Queen Mary's Birthday (1693)， Z321 [32'49]
　Symphony [1'37]
　two sopranos (GF， TB) - alto， tenor， bass (JB， RM， MG) - chorus [1'31]
　two sopranos (GF， TB) - chorus [2'35]
　soprano (GF) & trumpet - chorus [0'47]
　soprano (TB) - chorus [2'39]
　alto (JB) [3'04]
　bass (MG) - chorus [1'48]
　alto (JB) - ritornello [2'53]
　high tenor (RC-C) [1'19]
　ritornello - alto， tenor & bass (JB， RM， MG) [3'24]
　bass (MG) & trumpet [4'49]
　high tenor (RC-C) - eight-part chorus [3'28]
　soprano (TB) - chorus [2'48]

　1. ANONYMOUS Je ne chant pas / Talens m'est pris / APTATUR / OMNES [2'19]
　2. ANONYMOUS Trois sereurs / Trois sereurs / Trois sereurs / PERLUSTRAVIT [2'11]
　3. BLONDEL DE NESLE En tous tans que vente bise [2'50]
　4. ANONYMOUS Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS [1'15]
　5. ANONYMOUS Par un matinet / He， sire! / He， bergier! / EIUS [4'37]
　6. ANONYMOUS De la virge Katerine / Quant froidure / Agmina milicie / AGMINA [2'15]
　7. COLIN MUSET Trop volentiers chanteroie [3'44]
　8. ANONYMOUS Ave parens / Ad gratie / AVE MARIA [1'35]
　9. ANONYMOUS Super te Jerusalem / Sed fulsit virginitas / PRIMUS TENOR / DOMINUS [1'10]
　10. ANONYMOUS A vous douce debonnaire [3'08]
　11. ANONYMOUS Mout souvent / Mout ai este en dolour / MULlERUM [2'50]
　12. BERNART DE VENTADORN Can vei la lauzeta mover [3'43]
　13. ANONYMOUS Quant voi l'aloete / Diex! je ne m'en partire ja / NEUMA [1'52]
　14. ANONYMOUS En non Dieu / Quant voi la rose / NOBlS [2'41]
　15. GAUTIER DE DARGIES Autres que je ne sueill fas [4'01]
　16. ANONYMOUS Je m'en vois / Tels a mout / OMNES [2'40]
　17. ANONYMOUS Festa januaria [2'18]

　1. Kyrie 'Orbis factor' [3'39]

Mass EUGE BONE
　2. Gloria [6'20]
　3. Credo [5'05]
　4. Sanctus [3'34]
　5. Benedictus [2'46]
　6. Agnus Dei I [1'42]
　7. Agnus Dei II [2'38]
　8. Agnus Dei III [1'59]
　9. Agnus Dei IV [1'47]

　10. Quaesumus omnipotens Deus [6'55]
　11. Miserere mei， Deus [9'16]
　12. Omnes gentes， plaudite manibus [4'14]
　13. Peccavimus cum patribus nostris [13'40]

IGOR STRAVINSKY (1882-1971):

SYMPHONY OF PSALMS [21'09]
Psalm XXXIX [3'08]
Psalm XL [6'27]
Psalm CL [11'34]

PATER NOSTER [2'11]

CREDO [3'59]

AVE MARIA [2'10]

MASS [18'39]
Kyrie [2'48]
Gloria [3'51]
treble OLIVER HARDING， alto STEPHEN JEFFS
Credo [4'52]
Sanctus [3'53]
treble ROBIN SCHMIDT， alto ROBERT LEWIS， tenors SIMON DAVIES， NICHOLAS KEAY， bass ADRIAN PEACOCK
Agnus Dei [3'02]

CANTICUM SACRUM [19'48]
Dedicatio [0'45]
Euntes in mundum [2'16]
Surge， aquilo [2'59]
Diliges Dominum [2'54]
Qui confidunt [2'14]
Credidi， propter quod locutus sum [3'02]
Jesus autem ait illi [2'58]
Illi autem profecti [2'28]

　1. FELIX MENDELSSOHN (1809-1847):Hear my prayer
　2. BERNARD ROSE (b1916):Feast Song for St Cecilia
　3. JOHANNES BRAHMS (1833-1897):Ye now are sorrowful
　4. GREGORIO ALLEGRI (1582-1652):Miserere
　5. JONATHAN HARVEY (b1939):Come Holy Ghost
　6. JOHN TAVENER (b1944):I will lift up mine eyes (Psalm 121)
　7. MICHAEL WISE (?1647-1687):The ways of Zion do mourn
　8-9. SIR CHARLES STANFORD (1852-1924):Evening Canticles in G(Magnificat/Nunc dimitlis)
　10. BENJAMIN BRITTEN (1913-1976):Festival Te Deum in E， op 32

[76:10]

All-Night Vigil
Vsenoshchnoe Bdenie op 37
('Vespers')

1. Priidite poklonimsya [2'41]
O come， let us worship

2. Blagoslovi， dushe moya (soloist JOYA LOGAN alto) [5'36]
Bless the Lord， O my soul

3. Blazhen muzh [5'47]
Blessed is the man

4. Svete tikhii (soloist JOHN BOWEN tenor) [3'24]
O gladsome light

5. Nyne otpushchaeshi (soloist JOHN BOWEN tenor) [3'56]
Lord， now lettest Thou Thy servant depart

6. Bogoroditse Devo [3'09]
Hail， 0 Virgin Mother of God

7. Sheslopsalmie: Slava v Vyshnikh Bogu [3'11]
Hexapsalmos: Glory to God in the Highest

8. Khvalite imya Gospodne (The Polieley) [2'49]
Praise ye the name of the Lord

9. Blagosloven esi， Gospodi (soloist JOHN BOWEN tenor) [6'12]
Blessed art Thou， 0 Lord

10. Voskresenie Khristovo [3'26]
We have seen the Resurrection

11. Velichit dusha moya [9'30]
My soul doth magnify the Lord

12. Slavoslovie velikoe: Slava v Vyshnikh Bogu [7'07]
Great Doxology: Glory to God in the highest

13. Tropar: Dnes spasenie [2'09]
Troparion: Today is salvation come

14. Tropar: Vosleres iz groba [4'13]
Troparion: Being risen from the tomb

15. Vzbrannoy voevode [2'01]
O Victorious Leader

The performing version of the edition used in this recording was specially prepared by Ivan Moody

　1. ANONYMOUS Ouiconques veut d'amors joir [4'31]
　2. ANONYMOUS Je languis d'amere mort [2'14]
　3. SOLAGE Joieux de cuer en seumellant estoye [4'23]
　4. ANONYMOUS Ouant voi le douz tans / En mai / [Immo]LATUS [3'54]
　5. J DE PORTA Alma polis religio / Axe poli cum artica / Tenor / Contratenor [4'36]
　6. GUILLAUME DE MACHAUT C'est force faire le weil [3'27]
　7. PAOLO TENORISTA Sofrir m'estuet et plus non puis durer [2'43]
　8. ANONYMOUS Plus bele que flors / Quant revient / L'autlier jouer / FLOS FILIUS EIUS [3'34]
　9. GUILLAUME DE MACHAUT Tant doucentent me sens emprisonnes [4'22]
　10. ANONYMOUS Degentis vita /Cum vix artidici / Tenor / Contratenor [2'21]
　11. ANONYMOUS Mais qu'il vous viengne a plaisance [1'53]
　12. JACOB DE SENLECHES En ce glacieux tamps joli [2'31]
　13. GUILLAUME DE MACHAUT Comment qu'a moy lonteinne [2'53]
　14. GUILLAUME DUFAY Je requier a tous amoureux [2'03]
　15. GUILLAUME DUFAY Las， que feray? Ne que je devenray? [1'43]
　16. GILET VELUT Je voel servir plus c'onques mais [4'06]
　17. JOHANNES DE LYMBURGIA Tota pulcra es， amica mea [3'09]

JOHN TAVENER (b1944):

THE UNCREATED EROS [4'16]
MAGNIFICAT [7'02]
NUNC DIMITTIS [3'01]
THE LAMB [3'21]
HYMN TO THE MOTHER OF GOD [2'21]
HYMN FOR THE DORMITION OF THE MOTHER OF GOD [3'31]
TODAY THE VIRGIN - A Christmas Carol [2'28]
GOD IS WITH US - A Christmas Proclamation [5'14]
soloist JAMES OXLEY tenor

ODE OF ST ANDREW OF CRETE [19'40]
soloist MATTHEW BROOK baritone

LOVE BADE ME WELCOME [4'16]
THE TIGER [4'22]
(EONIA) [3'36]
soloist COLIN CARTWRIGHT countertenor

FRANCOIS COUPERIN 'LE GRAND' (1668-1733):

　1. LAETENTUR COELI Motet de St Barthelemy (b a) [6'47]

　2. VENITE EXULTEMUS DOMINO (b a) [5'06]

TROIS LECONS DE TENEBRES
　3. Premiere Lecon (a) [15'41]
　4. Deuxieme Lecon (b) [12'28]
　5. Troisieme Lecon (ab) [11'01]

　6. MAGNIFICAT (a b) [11'27]

HENRY PURCELL (1659-1695):

Welcome， welcome， glorious morn
Ode for the Birthday of Queen Mary， Z338 (1691) [27'07]
　Symphony [2'24]
　high tenor (RC-C) - chorus [1'36]
　duet (RC-C， MG) - ritornello - chorus (solos NS， GMA: ET， CP) [4'01]
　duet (JB， MG) [2'39]
　tenor (JMA) [1'33]
　trio (JB， RC-C， MG) - chorus - ritornello [1'53]
　tenor solo (JMA) - chorus [3'17]
　soprano solo (GF) - chorus [3'55]
　duet (CP， MG) [1'43]
　high tenor (RC-C) [1'47]
　tenor (JMA) - chorus [2'19]

Great parent， hail!
Ode for the Centenary of Trinity College， Dublin， Z327 (1694) [24'19]
　Symphony [2'28]
　trio (JB， JMA， MG) - chorus [2'16]
　alto solo (JB) [2'22]
　duet (JMA， RC-C) [3'15]
　bass solo (MG) [3'25]
　tenor solo (JMA) - chorus [1'57]
　duet (RC-C， MG) - chorus [1'50]
　chorus [1'31]
　symphony - soprano solo (GF) [3'54]
　chorus [1'21]

The summer's absence unconcerned we bear
Welcome Song for King Charles II， Z337 (1682) [18'12]
　Symphony [2'27]
　bass solo (MG) - trio (JB， JMA， MG) - chorus - ritornello [3'24]
　alto solo (JB) - chorus - ritornello [2'16]
　bass solo (MG) - duet (GF， ET) - chorus [2'31]
　trio (JB， RC-C， MG) - ritornello [1'32]
　tenor (JMA) [1'13]
　alto (JB) - ritornello [2'30]
　tenor (JMA) - chorus [2'19]

Thomas Weelkes (1576-1623):

1. Volluntarie I [2'01]
2. Alleluia. I heard a voice [2'35]
3. All laud and praise [5'49]
4. Laboravi in gemitu meo [3'36]
5. Give the King thy Judgements [5'03]
6. Pavan [2'56]
7. O Lord， arise [3'04]

SERVICE EQR TREBLES
8. Magnificat [5'22]
9. Nunc dimittis [4'14]

10. Give ear， O Lord [5'13]
11. Voluntarie II [1'58]
12. If King Manasses [6'40]
13. When David heard [4'33]
14. O how amiable [2'47]
15. Gloria in excelsis Deo [3'05]
16. Jonathan， woe is me [2'43]
17. Hosanna to the Son of David [1'54]

KENNETH LEIGHTON (1929-1989):

1. TE DEUM LAUDAMUS (1964) [9'58]
　soloist NIGEL BEAVAN bass
2. MISSA BREVIS op 50 [13'08]
　Kyrie eleison [2'32]
　Sanctus [1'36]
　Benedictus [1'42]
　Agnus Dei [3'38]
　Gloria in excelsis Deo [3'31]
　soloist TIMOTHY JONES bass
7. LULLY， LULLA， THOU LITTLE TINY CHILD op 25b [3'12]
　soloist THOMAS COLWELL treble
8. CRUCIFIXUS PRO NOBIS op 38 (1961)* [21'57]
　Christ in the Cradle [4'46]
　Christ in the Garden [4'55]
　Christ in His Passion [8'40]
　Hymn [3'36]
　soloist NEIL MACKIE tenor
12. THE SECOND EVENING SERVICE op 62 [12'06]
　Magnificat [7'24]
　Nunc dimittis [4'39]
14. AN EVENING HYMN [8'54]
　soloist JAMIE HOPKINS treble
15. LET ALL THE WORLD IN EVERY CORNER SING (1965) [3'35]

MANUEL CARDOSO (1566-1650)
　1. Non mortui [4'12]
　2. Sitivit anima mea [4'13]
　3. Mulier quae erat [3'11]
　4. Tulerunt lapides [2'17]
　5. Nos autem gloriari [2'34]

LAMENTATIONS FOR MAUNDY THURSDAY
　6. Feria Quinta in Coena Domini: Responsory I [2'11]
　7. Feria Quinta in Coena Domini: Lectio II [6'32]
　8. Feria Quinta in Coena Domini: Responsory II [2'38]
　9. Feria Quinta in Coena Domini: Lectio III [7'14]

JOAO LOURENCO REBELO (1610-1661)
　10. Panis angelicus [4'08]

PEDRO DE CRISTO (c1550-1618)
　11. Hodie nobis [2'14]
　12. 0 magnum mysterium [3'27]
　13. Beata viscera Mariae [2'31]
　14. Ave Maria a 8 [3'31]
　15. Magnificat a 8 [7'37]
　16. Sanctissimi quinque martires [3'48]

AIRES FERNANDEZ (dates unknown)
　17. Alma redemptoris mater [4'00]

Jonathan Battishill
1. O Lord， look down from heaven [5'13]
John Stainer
2. How beautiful upon the mountains [3'20]
from 'Awake， awake; put on thy strength， O Zion
Charles Stanford
3. Justorum animae from Three Motets， op 38 [3'54]
Edgar Bainton
4. And I saw a new Heaven [6'25]
William Mathias
5. As truly as God is our Father [6'36]
John Joubert
6. O Lorde， the maker of al thing [4'27]
Edward Bairstow
7. Save us， O Lord [5'05]
Frederick Gore Ouseley
8. O Saviour of the world [2'44]
Patrick Gowers
9. Viri Galilaei [7'29]
ALAN GREEN tenor， NIGEL BEAVAN bass， ANDREW LUCAS， MARTIN BAKER organ duet
Robin Holloway
10. Lord， what is man? [10'06]
Gerald Finzi
11. Lo， the full， final sacrifice op 26 [16'34]

1. The Rio Grande [14'04]
for chorus*， alto solo， orchestra and solo pianoforte

2. Aubade Heroique [8'05]
for small orchestra

3. Summer's Last Will and Testament [53'02]
for orchestra， chorus* ** and baritone solo
　Intrata [6'58]
　Madrigal con ritornelli [5'41]
　Coranto [3'11]
　Brawles [8'24]
　Madrigal con ritornelli [6'38]
　Rondo Burlesca (King Pest) [10'08]
　Saraband [12'03]

　1. O sing unto the Lord， Z44 (1688) [13'12]
　7. O praise God in his holiness， Z42 (c1682/5) [8'12]
　10. Praise the Lord， O Jerusalem， Z46 (probably 1689) [7'44]
　13. It is a good thing to give thanks， Z18 (1682/5) [11'55]
　17. O give thanks unto the Lord， Z33 (1693) [9'53]
　22. Let mine eyes run down with tears， Z24 (c1682) [9'17]
　25. My beloved spake， Z28 (before 1678) [11'23]

Come ye sons of Art， away
Ode for the Birthday of Queen Mary， Z323 (1694) [25'40]
1. Symphony [3'36]
2. alto solo (MC): chorus [1'59]
3. alto duet (MC， JB): chorus [3'50]
4. alto solo (JB): ritornello [5'12]
5. bass solo (MG): chorus [3'00]
6. soprano solo (GF) [3'22]
7. bass solo (MG) [1'46]
8. duet (GF， MG): chorus [2'53]

Welcome， vicegerent of the mighty king
Welcome Song for Charles II， Z340 (1680) [14'02]
9. Symphony: chorus [3'12]
10. duet (JB， MG): ritornello [1'25]
11. chorus: ritornello [2'09]
12. tenor solo (JMA) & chorus [1'25]
13. duet (GF， TB) [1'19]
14. chorus [0'59]
15. tenor solo (MP): chorus: ritornello: chorus [3'33]

Why， why are all the Muses mute?
Welcome Song for King James II， Z343 (1685) [27'46]
16. tenor solo (MP): chorus: Symphony [4'40]
17. tenor solo (JMA): chorus [2'30]
18. alto solo (JB): ritornello [3'40]
19. trio (MC， JMA， MG): chorus [2'10]
20. bass solo (MG): duet (GF， TB) [3'07]
21. ritornello: duet (MP， MG) [2'41]
22. tenor solo (JMA): chorus [2'15]
23. duet (RE， MG) [1'23]
24. tenor solo (MP): ritornello: chorus [5'20]