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Birthday Ode for Queen Anne
ETERNAL SOURCE OF LIGHT DIVINE
1. alto solo [3'23]
2. alto solo : chorus [2'45]
3. soprano solo : chorus [2'34]
4. alto solo : chorus [2'38]
5. alto & bass duet : chorus [3'38]
6. soprano & alto duet [4'41]
7. soprano & alto duet : chorus [1'42]
8. bass solo : chorus [2'13]
9. alto solo : chorus [3'11]

TE DEUM IN D MAJOR ('Queen Caroline')
10. alto， tenor & bass solos and chorus [1'23]
11. tenor solo : chorus : bass solo [3'06]
12. alto solo & chorus [3'03]
13. chorus [1'04]
14. alto solo [1'39]
15. chorus [1'16]

Anthem for the Wedding of Prince Frederick and Princess Augusta of Saxe-Coburg
'SING UNTO GOD'
16. alto solo and chorus [3'03]
17. soprano solo [2'19]
18. bass solo [3'49]
19. chorus [1'46]
20. tenor solo [0'50]
21. tenor solo and chorus [4'48]

　1. O Lord， the maker of all things [2’56]
　2. Videte miraculum [8’35]
　3. Sive vigilem [3’27]
　4. Ah， helpless wretch [5’59]
　5. Vox patris caelestis [17’45]
　6. Kyrie [3’57]
　7. O Lord， the world’s Saviour [3’16]
　8. Magnificat [7’44]
　9. Nunc dimittis [3’36] 　
　10. The secret sins [3’42]
　11. Beatus et sanctus [2’22]
　12. Adolescentulus sum ego [6’24]

※Recorded in All Hallows， Gospel Oak， London， on 8 9 August 1988

　1. Respond: Archangeli Michaelis Interventione [1'18]
　2. Leroy Kyrie [5'17]
　3-6. Missa O Michael
　　Gloria [9'48]
　　Credo [10'12]
　　Sanctus [8'44]
　　Agnus Dei I II [8'31]
　7. Dum transisset Sabbatum [6'42]

※Recorded on 6 7 September 1988

1. Psalm 86 [7'14]
2. Psalm 148 [4'24]

SIX CHORUSES for male voices， H186 (op 53)
3. Good Friday [4'09]
4. Intercession [3'16]
5. How mighty are the Sabbaths [5'36]
6. A Love Song [2'05]
7. Drinking Song [2'05]
8. Before Sleep [2'50]

9. THE EVENING WATCH for unaccompanied eight-part mixed choir， H159 (op 43 no 1) [4'42]

SEVEN PARTSONGS for female voices and strings， H162 (op 44)
10. Say who is this [2'54]
11. Of love I complain [1'22]
12. Angel spirits of sleep [1'42]
13. When first we met [2'06]
14. Sorrow and joy [1'54]
15. Love on my heart [2'37]
16. Assemble， all ye maidens [11'11]

17. NUNC DIMITTIS for eight-part choir， H127 [3'23]

HERNANDO FRANCO 1532-1585
　1. Salve Regina [11'39]
JUAN GUTIERREZ DE PADILLA c1590-1664
　2. Versicle and Response: Deus in adiutorium [2'32]
　3. Psalm for None: Mirabilia testimonium [10'06]
JUAN GUTIERREZ DE PADILLA
　4. Lamentation for Maundy Thursday [13'54]
FRANCISCO LOPEZ CAPILLAS 1612-1673
　5. Alleluia: Die nobis， Maria [4'43]
FRANCISCO LOPEZ CAPILLAS
　6. Magnificat Quarti Toni [9'50]
JUAN GUTIERREZ DE PADILLA
　7. Salve Regina [8'19]
ANTONIO DE SALAZAR c1650-1715
　8. O sacrum convivium [3'18]

　1. Mundus vergens [2'02]
　2. Noves miles sequitur (1173) [2'18]
　3. A la doucour de la bele saison (1181-6) (Gace Brule) [4'52]
　4. Sol sub nube latuit [3'31]
　5. Hac in anni ianua [3'58]
　6. Anglia， planctus itera (1186) [5'38]
　7. Etas auri reditur (1189) [3'48]
　8. Vetus abit littera [2'42]
　9. In occasu sideris (1189) [6'08]
　10. L'amours dont sui espris (Blondel de Nesle) [4'07]
　11. Purgator criminum [3'53]
　12. Li nouviauz tanz (1190) (Li Chastelain de Couci) [5'12]
　13. Pange melos lacrimosum (1190) [4'16]
　14. Ma joie me semont [1'58]
　15. Ver pacis apperit (1179) [1'51]
　16. Latex silice [2'52]

　1. O sing unto the Lord a new song [3'52]
　2. Then David mourned [2'57]
　3. My beloved spake unto me [4'53]
　4. Above the stars my saviour dwells [4'02]
　5-6. Magnificat and Nunc dimittis from the Third Service [11'00]
　7. Glory be to God on high [5'08]
　8. Almighty God， the fountain of all wisdom [6'21]
　9. When David heard [5'00]
　10. My shepherd is the living Lord [3'50]
　11. Sing unto God [6'47]
　12. Behold， the hour cometh [3'51]
　13. 0 God， the proud are risen against me [3'57]

GUILLAUME DE MACHAUT (c1300-1377)

Masse de Notre Dame
　Kyrie [5'43]
　Gloria [4'10]
　Credo [5'38]
　Sanctus and Benedictus [4'15]
　Agnus Dei [3'25]
　Ite Missa est [0'55]

Le Lai de Ia Fonteinne [23'20]

Rondeau Ma fin est mon commencement [5'38]

1. Verleih' uns Frieden op posth (1831) [5'44]
prayer for four-part choir， organ and orchestra

2. Kyrie eleison op posth [1'23]
for double choir

3. Ehre sei Gott in der He op posth [4'54]
for double choir

4. Ave Maria op 23 no 2 [7'22]
for soloists， eight-part choir， organ and orchestra

5. Mitten wir im Leben sind op 23 no 3 [8'35]
for eight-part choir

6. Heilig， heilig ist Gott， der Herr Zebaoth [1'37]
for double choir

SIX ANTHEMS FOR DIFFERENT TIMES OF THE YEAR op 79
for eight-part choir
7. Weihnachten (Christmas) [1'22]
8. Am Neujahrstage (On New year's Day) [3'17]
9. Am Himmelfahrtstage (On Ascension Day) [1'24]
10. In der Passionszeit (In Passiontide) [2'09]
11. Im Advent (In Advent) [1'21]
12. Am Karfreitage (On Good Friday) [1'57]

THREE PSALMS op 78
13. Warum toben die Heiden (Psalm 2) [7'15]
for choir and solo voices
14. Richte mich， Gott， und fre meine Sache (Psalm 43) [3'51]
for eight-part choir
15. Mein Gott， warum hast du mich verlassen? (Psalm 22) [10'17]
for choir and solo voices

16. H mein Bitten， Herr， neige dich zu mir (Hear my Prayer) [11'25]
for soprano， eight-part choir and organ

JOHN TAVERNER (c1490-1545)
Gaude plurimum [13'29]

Missa Corona Spinea
　Gloria [10'27]
　Credo [9'52]
　Sanctus [9'49]
　Agnus Dei I [3'07]
　Agnus Dei II [5'50]

In pace [6'04]

MISSA 'DE BEATA VIRGINE'
for six voices
1.Kyrie [4'55]
2.Gloria [8'03]
3.Credo [10'50]
4.Sanctus and Benedictus [9'43]
5.Agnus Dei I and II [6'23]

MISSA 'AVE MARIA'
for four voices
6.Kyrie [3'45]
7.Gloria [6'08]
8.Credo [10'52]
9.Sanctus and Benedictus [6'51]
10.Agnus Dei I and II [5'30]

1. Komm， Jesu， komm! BWV229 [9'05]
3. Lobet den Herrn alle Heiden BWV230 [6'35]
5. Fchte dich nicht BWV228 [8'24]
6. Der Geist hilft unser Schwachheit auf BWV226 [7'47]
9. Jesu， meine Freude BWV227 [21'46]
20. Singet dein Herrn ein neues Lied BWV225 [13'59]

　1. Sir John Stainer:I saw the Lord [7'35]
　2. Charles Wood:Hail， gladdening Light [3'16]
　3. Henry Balfour Gardiner:Evening Hymn [6'08]
　4. Edward Woodall Naylor:Vox dicentis: Clama [9'27]
　5. Samuel Sebastian Wesley:Blessed be the God and Father [8'13]
　6. Sir Charles Villiers Stanford:Beati quorum via [3'52]
　7. Sir Edward Bairstow:Blessed City， heavenly Salem [9'33]
　8. Sir Edward Bairstow:Let all mortal flesh keep silence [3'46]
　9. John Ireland:Greater love hath no man [6'42]
　10. Patrick Hadley:My beloved spake [3'35]
　11. Gerald Finzi:God is gone up [5'16]

　シュッツ：クリスマス・ストーリー
　ガブリエリ：クリスマスの４つのモテット


HEINRICH SCHUTZ (1585-1672)
THE CHRISTMAS STORY [35'03]
　Die Weihnachtshistorien
　Introduction
　EVANGELIST
　Intermedium I
　EVANGELIST
　Intermedium II
　EVANGELIST
　Intermedium III
　EVANGELIST
　Intermedium IV
　EVANGELIST
　Intermedium V
　EVANGELIST
　Intermedi0 VI
　EVANGELIST
　Intermedium VII
　EVANGELIST
　Intermedium VIII
　EVANGELIST
　Conclusion

GIOVANNI GABRIELI (c1555-1612)
FOUR CHRISTMAS MOTETS
　Quem vidistis pastores [8'27]
　Audite prinicipes [5'39]
　O magnum mysterium [3'03]
　Salvator noster [4'19]

THOMAS TALLIS (c1505-1585)
Spem in alium
The 40-part Motet and other music

　1. O salutaris hostia for five voices [3'32]
　2. In ieiunio et fletu for five voices [5'01]
　3. Salvator mundi (I) for five voices [3'26]
　4. In manus tuas Domine for five voices [2'19]
　5. Salvator mundi (II) for five voices [3'16]
　6. The Lamentations of Jeremiah (I) for five voices [7'42]
　7. O sacrum convivium for five voices [4'19]
　8. O nata lux de lumine for five voices [1'52]
　9. Te lucis ante terminum for five voices [2'16]
　10.The Lamentations of Jeremiah (II) for five voices [13'08]
　11. Spem in alium for eight five-part choirs (The '40-part Motet') * [11'16]

Five Bridal Folk Songs from the Voronezh District (traditional) [9'29]
1. Now， little grey duck [1'48]
2. Good day， my fair one [1'26]
3. Oh， mother， my little head hurts [1'25]
4. Oh， come to me (Lament) [3'58]
5. Indoors， outside [0'53]
The Voronezh Chamber Choir (Institute of the Arts)

STRAVINSKY

Svadebka / LES NOCES / The Wedding [23'21]
6. The Tresses [5'02]
7. The Bridegroom's House [5'27]
8. The Departure of the Bride [3'00]
9. The Wedding Feast [9'58]
Jane Ginsborg soprano， Elena Medvedovskaya alto， John Potter tenor， Alexander Nazarov bass
New London Chamber Choir and the Voronezh Chamber Choir
Andrew Ball， Julian Jacobson， Clive Williamson， Paul Webster pianos
David Corkhill， Martin Allen， Richard Benjafield， Julian Poole， Christopher Wells，
Graham Cole percussion
conducted by James Wood

Podblyudnye / FOUR RUSSIAN PEASANT SONGS 1914/17
[2'48]
10. In our Saviour's Parish in Chigisakh beyond the Yanza [0'35]
11. Ovsen [0'32]
12. The Pike [0'42]
13. Master Portly [0'55]
Women's voices of the New London Chamber Choir and the The Voronesh
Chamber Choir
conducted by James Wood

Podblyudnye / FOUR RUSSIAN PEASANT SONGS 1954 [4'04]
14. In our Saviour's Parish in Chigisakh beyond the Yanza [1'13]
15. Ovsen [0'44]
16. The Pike [0'51]
17. Master Portly [1'01]
Women's voices of the New London Chamber Choir and the Voronezh Chamber
Choir
Brendan Thomas， Joanna Hensel， Robert Stroh， Lynn Jarman horns
conducted by James Wood

18. Otshe Nash / Our Father / Pater Noster 1926 Slavonic version [1'54]
19. Bogoroditse Devo / Blessed Virgin / Ave Maria 1934 Slavonic version [1'00]
20. Simvol Very / Symbol of Faith / Credo 1964 Slavonic version [2'07]
The Voronezh Chamber Choir conducted by Oleg Shepel

TRES SACRAE CANTIONES (Carlo Gesualdo， completed by Stravinsky) [9'33]
21. Da pacem Domine 1959 [2'56]
22. Assumpta est Maria 1959 [1'55]
23. Illumina nos 1957 [3'33] New London Chamber Choir conducted by James Wood

24. The dove descending breaks the air 1962 [2'35]
New London Chamber Choir conducted by James Wood

25. Introitus: T S Eliot in memoriam 1965 [5'18]
Men's voices of the New London Chamber Choir
Andrew Ball piano， Yuko Inoui viola， Duncan McTier double bass， Rachel Masters harp
David Corkhill and Julian Poole timpani， Martin Allen and Richard Benjafield tamtams
conducted by James Wood

HENRY PURCELL (1659-1695)
Complete Odes & Welcome Songs， Volume 3
Fly， bold rebellion

Fly， bold rebellion
Welcome Song for Charles II (1683)， Z324 [19'15]
　Symphony [1'58]
　quintet - ritornello - bass (MG) - chorus [2'27]
　high tenor (RC-C) - ritornello - chorus [3'14]
　bass (MG) - tenor (RM) - ritornello [3'16]
　trio (GF， TB， RM) - ritornello [1'21]
　alto， tenor & bass (JB， RM， MG) - chorus [1'40]
　alto (JB) - ritornello [3'33]
　septet - chorus [1'44]

Sound the trumpet， beat the drum
Welcome Song for James II (1687)， Z335 [23'38]
　Symphony [3'11]
　high tenor & bass (RC-C， MG) - chorus [1'57]
　high tenor (RC-C) - chorus [3'30]
　alto & high tenor (JB， RC-C) - ritornello [2'56]
　tenor & bass (RM， MG) - chorus [2'48]
　Chaconne [3'34]
　bass (MG) [2'22]
　alto， tenor & bass (JB， RM， MG): sextet: chorus

Celebrate this festival
Ode for Queen Mary's Birthday (1693)， Z321 [32'49]
　Symphony [1'37]
　two sopranos (GF， TB) - alto， tenor， bass (JB， RM， MG) - chorus [1'31]
　two sopranos (GF， TB) - chorus [2'35]
　soprano (GF) & trumpet - chorus [0'47]
　soprano (TB) - chorus [2'39]
　alto (JB) [3'04]
　bass (MG) - chorus [1'48]
　alto (JB) - ritornello [2'53]
　high tenor (RC-C) [1'19]
　ritornello - alto， tenor & bass (JB， RM， MG) [3'24]
　bass (MG) & trumpet [4'49]
　high tenor (RC-C) - eight-part chorus [3'28]
　soprano (TB) - chorus [2'48]

　1. ANONYMOUS Je ne chant pas / Talens m'est pris / APTATUR / OMNES [2'19]
　2. ANONYMOUS Trois sereurs / Trois sereurs / Trois sereurs / PERLUSTRAVIT [2'11]
　3. BLONDEL DE NESLE En tous tans que vente bise [2'50]
　4. ANONYMOUS Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS [1'15]
　5. ANONYMOUS Par un matinet / He， sire! / He， bergier! / EIUS [4'37]
　6. ANONYMOUS De la virge Katerine / Quant froidure / Agmina milicie / AGMINA [2'15]
　7. COLIN MUSET Trop volentiers chanteroie [3'44]
　8. ANONYMOUS Ave parens / Ad gratie / AVE MARIA [1'35]
　9. ANONYMOUS Super te Jerusalem / Sed fulsit virginitas / PRIMUS TENOR / DOMINUS [1'10]
　10. ANONYMOUS A vous douce debonnaire [3'08]
　11. ANONYMOUS Mout souvent / Mout ai este en dolour / MULlERUM [2'50]
　12. BERNART DE VENTADORN Can vei la lauzeta mover [3'43]
　13. ANONYMOUS Quant voi l'aloete / Diex! je ne m'en partire ja / NEUMA [1'52]
　14. ANONYMOUS En non Dieu / Quant voi la rose / NOBlS [2'41]
　15. GAUTIER DE DARGIES Autres que je ne sueill fas [4'01]
　16. ANONYMOUS Je m'en vois / Tels a mout / OMNES [2'40]
　17. ANONYMOUS Festa januaria [2'18]

　1. Kyrie 'Orbis factor' [3'39]

Mass EUGE BONE
　2. Gloria [6'20]
　3. Credo [5'05]
　4. Sanctus [3'34]
　5. Benedictus [2'46]
　6. Agnus Dei I [1'42]
　7. Agnus Dei II [2'38]
　8. Agnus Dei III [1'59]
　9. Agnus Dei IV [1'47]

　10. Quaesumus omnipotens Deus [6'55]
　11. Miserere mei， Deus [9'16]
　12. Omnes gentes， plaudite manibus [4'14]
　13. Peccavimus cum patribus nostris [13'40]

IGOR STRAVINSKY (1882-1971):

SYMPHONY OF PSALMS [21'09]
Psalm XXXIX [3'08]
Psalm XL [6'27]
Psalm CL [11'34]

PATER NOSTER [2'11]

CREDO [3'59]

AVE MARIA [2'10]

MASS [18'39]
Kyrie [2'48]
Gloria [3'51]
treble OLIVER HARDING， alto STEPHEN JEFFS
Credo [4'52]
Sanctus [3'53]
treble ROBIN SCHMIDT， alto ROBERT LEWIS， tenors SIMON DAVIES， NICHOLAS KEAY， bass ADRIAN PEACOCK
Agnus Dei [3'02]

CANTICUM SACRUM [19'48]
Dedicatio [0'45]
Euntes in mundum [2'16]
Surge， aquilo [2'59]
Diliges Dominum [2'54]
Qui confidunt [2'14]
Credidi， propter quod locutus sum [3'02]
Jesus autem ait illi [2'58]
Illi autem profecti [2'28]